- (active c. 1488-1526)Carpaccio may have studied with Gentile Bellini in Venice and, like Gentile, he catered mainly to the Venetian scuole (confraternities) and used a journalistic approach. His greatest achievement is the series he created for the meeting hall of the Confraternity of St. Ursula in Venice in c. 1495-1496. The source for these paintings was Jacobus da Voragine's Golden Legend where St. Ursula, daughter of the king of Brittany and betrothed to the pagan prince of Britain, asks her father for a postponement of the wedding to travel to Rome in a pilgrimage and effect her future husband's conversion. Her father agrees and they set out with 10 of her ladies in waiting, each accompanied by 1,000 maidens. On their return from Rome, they are captured by the Huns in Cologne and, when Ursula refuses to marry their king, she and the maidens are martyred. Carpaccio related the story in nine large paintings, now housed in the Galleria dell' Accademia, Venice. He situated the scenes in his own city by including figures in contemporary costumes, canals in the background, and Venetian-styled buildings. In the Departure of the Prince from Britain, His Arrival in Brittany, and Departure of the Betrothed Couple for Rome, the Venetian naval fleet is rendered on the Grand Canal, and the forts of Rhodes and Candia, at the time two of Venice's fortresses, also appear. Carpaccio's other works include the Vision of St. Augustine, part of a series for the Scuola di San Giorgio degli Schiavoni, Venice (1502), the Meditation on the Passion (c. 1510; New York, Metropolitan Museum), the Sermon of St. Stephen (1514; Paris, Louvre) from the series for the Scuola dei Lanieri a Santo Stefano, and the Dead Christ (c. 1520; Berlin, Staatliche Museen). These works are permeated with a stillness characteristic of Carpaccio's style, a brilliant palette, and emphasis on detailed description.
Historical dictionary of Renaissance art. Lilian H. Zirpolo. 2008.
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Carpaccio, Vittore — • Venetian painter whose real name was Scarpazza, b. at Venice about 1455; d. in the same city between 1523 and 1526 Catholic Encyclopedia. Kevin Knight. 2006 … Catholic encyclopedia
Carpaccio, Vittore — born с 1460, Venice died 1525/26, Venice Italian painter active in Venice. Little is known of his early life, but the dominant influences on his work were the Bellini family and Antonello da Messina. In the 1490s he began the first of four cycles … Universalium
Carpaccio,Vittore — Car·pac·cio (kär päʹchē ō, chō), Vittore. 1460? 1525?. Italian painter noted for his vivid narrative series on religious subjects. * * * … Universalium
Carpaccio, Vittore — ► (¿1455 1525?) Pintor italiano. En sus obras se aprecia el colorido propio de la escuela veneciana. Entre ellas: La Presentación en el templo y San Jorge. * * * (1460, Venecia–1525/26, Venecia). Pintor italiano que desarrolló su obra en Venecia … Enciclopedia Universal
CARPACCIO, VITTORE — a Venetian painter of great celebrity, particularly in his early pieces, for his truth of delineation, his fertile imagination, and his rich colouring; his works are numerous, and have nearly all of them sacred subjects; an Italian critic says … The Nuttall Encyclopaedia
Vittore Carpaccio — Vittore Carpaccio † Catholic Encyclopedia ► Vittore Carpaccio A Venetian painter whose real name was Scarpazza, b. at Venice about 1455; d. in the same city between 1523 and 1526. He was one of those Venetian masters who formed a link … Catholic encyclopedia
Carpaccio — carpaccio. (Voz it.). m. Plato compuesto de lonchas de carne o pescado, cortadas muy finas y condimentadas con diversas especias, que se consume crudo. * * * Este artículo trata del plato; para el pintor, véase Vittore Carpaccio El carpaccio es… … Enciclopedia Universal
carpaccio — [ karpatʃ(j)o ] n. m. • 1973; mot it., du nom du peintre ♦ Plat composé de très fines tranches de filet de bœuf cru, servies avec un assaisonnement. ● carpaccio nom masculin (de Carpaccio, nom propre) Viande de bœuf crue, coupée en fines lamelles … Encyclopédie Universelle
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